The Mathematical Connections in the De Stijl movement Essays -- Essays

The Mathematical Connections in the De Stijl movement De Stijl or The Style is a movement that originated in Holland with the first publication of the hebdomadary De Stijl in 1917. The works produced took art to a whole hot level, push button creativity to the new modern era. The emergence of the De Stijl movement coincided with constructivism in Russia, with influences from Cubism and the artist Kadinsky. However, the movement was not confined to just one art form. resembling to the Blue Rider and Bauhaus movements, De Stijl spanned to other forms of art like sculpture, furniture design, architecture, and brilliant design. The movement continued up until the last published issue of De Stijl in 1931. Major contributors to the group include Piet Mondrian, Theo van Doesburg, and Georges Vantongerloo. These artists helped to define the De Stijl through their utilise of form and geometry inspired by mathematics. The De Stijl movement is recognizable in t he simple use of forms on a plane. Pieces produced during the period of the periodicals output signal are distinguished from other abstract work of the time in this use of geometry. Unlike Cubism, De Stijl is more structured and less interested in conveying a particular object through analysis of the antithetical perspectives. The De Stijl went beyond such an interpretation and headed towards a more utopian remainder of perfect balance. Paul Overy explains, The single element, perceived as separate, and the configuration of elements, perceived as a whole, were intended to symbolize the relationship between the single and the collective (or the universal) (8). This idea can be described as near mysticism in that they were concerned with the overall symboli... ...ple, their exploration with simple forms, planes, axis, and grids resulted in a balance. This balance, in turn, was part of the utopian idea of the De Stijl. The utopia represented the new age arising with techn ology and the future. It is no surprise that the De Stijl movement is one of the major(ip) forerunners of modern art, setting its own formula for inspiration.Works CitedJaffe, H.C.L. The De Stijl Group Dutch Plastic Art. Trans. Roy Edwards. J.M.Meulenhoff, Amsterdam.Joosten, Joop. Paint and Sculpture in the Context of De Stijl. De Stijl 1917-1931Visions of Utopia, pp. 50-67. Phaidon, Oxford 1982.Overy, Paul. De Stijl. Thames and Hudson, capital of the United Kingdom 1991.Troy, Nancy J. The De Stijl Environment. The MIT Press, London 1983.Warncke, Carsten-Peter. The Ideal as Art De Stijl 1917-1931. Benedikt Taschen, Germany 1991.