Harlem Renaissance Music Essay

Harlem reincarnation refers to the phylogeny of Afri pot-American arts and socialisation in the coupled States, immediately after the World War I. According to reports, the revolutionary training in the arts and culture started in Harlem, New York, and whence the represent Harlem spiritual rebirth. Harlem Renaissance is believed to hit happened between years 1919 and 1930, with 1924 to 1929 as the years when it reached its billhook (Charters S. and Kundstadt L. Harlem Renaissance).The initiators and participants of the Harlem Renaissance apparent movement intromit the descendants of different societies who had witnessed and first-handedly experience slavery. Most of which were Africans or people of African descent. Others were migrants from certain racial communities and were seek for their place in a relatively unprejudiced society in the United States. What was common among the participants of Harlem Renaissance was their desire for the change especially in terms o f racism and African stereotyping.The union of these people based on this one value had been the seed of Harlem Renaissance which therefore became a major(ip) bow on not totally on people with African roots across the world but also on the culture of America (Hutchinson,G. Harlem Renaissance). In challenging the specter of racism, prejudice and African stereotyping, the participants of Harlem Renaissance invoked the power of cultural tools such(prenominal)(prenominal) as literature, art and practice of medicine to represent a different African-American who is both intellectual and mathematical productive, and in effect initiate their integration in society without any racial barrier.Part of this revolution was to uplift the spirit of the race by unifying(a) their culture. The media of Harlem Renaissance would hold no definition for high-African culture or low-African bring forth a new wave of artistic forms of arts and literature, thus the rise of modernism and in particular , medication, which gave birth to vapors and jazz (Harlem Renaissance). Harlem Music blue vapours and write out be two founts of melody that have developed in the Harlem Renaissance period. Blues, as its name implies represents medicinal drug that evokes sadness, especially that inflicted by difficulties in life and love.Blues is said to have evolved from the usual African hollers and by itself, could provide the listener with an insight of the accounting of African Americans from being communized to the emergence of individuation. Individualized or solo songs had never been usual in the African culture and the uniqueness of the characteristics of blues represents the then changing status of African-Americans their freedom (McElrath, J. ). In blues, the individualistic is emphasized reservation this lawsuit of music a form that can be called personalized. Still, heretofore though blues can be said to be furthest from the typical African music, some elements of the cu ltural type argon mum present in this new form. This is what characterizes blues as African and what gives this musical stickdy form a sort of nationality. The call-and-response characteristic of the African hollers for example are still present in blues, although has been somehow reinvented to fit in the characteristics of blues. In blues, responses are made not by an opposite participant or some other external force but by the performing artist herself (McElrath, J. ).To reinstate, the characteristics of blues are a representation of the new African who is more than self-assured and individualized. Blues singers are usually accompanied by guitars or harmonicas (Harlem Renaissance). Blues started as folk blues sung at leisure, medicine shows and touring carnivals. It became classic blues as it was given professional eccentric by African vaudeville singers who corresponded with the folk singers. With the African-American migration to the North in early 20th century, is the blu es music (Hutchinson,G. ). Blues music first came to New Orleans.With the inter-state migration of different musicians, the Blues music was scattered and was capable to come to Texas, Louisiana, Arkansas, Chicago, Detroit and then New York where different Blues musicians started to unite and popularize the look as they perform in different clubs, theaters and dance halls (McElrath, J. ). Again, as blues became a representation of the Africans new-found freedom not only from slavery and prejudices but also from the dogmatic imposition by institutions such as churches, the popularization of the music did not become difficult.It was easily appreciated especially by those with African descent who were craving for entertainment, thus, the start of theaters and other entertainment halls (McElrath, J. ). It was in 1920 when the music became popular with Mamie Smiths crazy Blues and Its Right Here For You. Blues music was at first marketed only to the African community but as music compa nies decided to exploit the opportunity to enter the new market, other artists exchangeable Bessie Smite, Ma Rainie, Alberta Hunter and Ethel Waters sprang up and became popular blues performers (McElrath, J. ).As blues music restd to evolve, it gave rise to a new type of music which is now popularly kn accept as jazz music. recognise deal is considered as the characterizing music of the Harlem Renaissance. This type of music may step up to be simple for untrained ears but actually involves unknow proficientities that continue to become part of the present American culture (Schuller, S. ). Jazz whole kit and boodle based on the theory that any chord progression could be played using infinite amount of melodies.It involves talent and improvisation by both the singer and the instrumentalist, with the singer doing repeated chord progressions and the instrumentalist doing variations of call styles and tonal effects. The result is the collaboration of two improvisations in a whol eness music (Schuller, S. ). As said earlier, blues contributed to the development of jazz. It can be noticed that blues themes and forms are incorporated into jazz music. This gives jazz music an African character.What characterizes jazz as a truly unique type of music, even from blues, is the flexibility in which it can be played. There are no rules in rhythm that must be followed allowing the each individual performer to become flexible and free in creating his or her own rhythm. The most common instruments used by jazz performers are pianoforte, drums, set up and bass. The use of saxophones in jazz is usually connected to an evolutionary product of jazz called the Chicago style (Schuller, S. ). The Chicago style of jazz came almost as a result of the migration of jazz artists to Chicago.This type of jazz is known for its soloist performances, relatively more complex and more difficult rhythms. Like the Blues music, the inter-state migration of artists contributed to the sprea ding of jazz music and its coming to New York made it a vast part of Harlem Renaissance (Morgan, T. and Barlow, W. ). A lot of jazz experiment happened in New York. These experimentations contributed significantly to the current richness of jazz. The famous piano style, jazz stride was the first piano style to be incorporated into jazz and was very popular in New York.The jazz artist, Fatts Waller is famous for this style. He was also the artist who started the jazz technique, Boogie-Woogie which can be characterized as a combination of different rythms and techniques with a peculiar and retell bass pattern. Boogie-Woogie later became what is now called Rhythm and Blues (Morgan, T. and Barlow, W. ). throng Reese Europe initiated another style of jazz during the era which involved huge orchestras while jazz bents were first put together by Fletcher Henderson.include in Hendersons jazz band were Coleman Hawkins, Don Redman and Louis Armstrong. Blues artists very much work with jaz z bands and individual jazz artists (Morgan, T. and Barlow, W. Schuller, S. ). Harlem Renaissance Musicians Louis Armstrong was famous for his technical and yet spontaneous abilities to play jazz. He is considered as among the greatest and potent of all Harlem Renaissance musicians. Unsurprisingly, Armstrong came from New Orleans which is one of the major places that contributed to the development of Harlem Renaissance music.He learned to play cornet while at a reform school when he was twelve and showed his interest in music by staying in blues and jazz clubs. His major influence was Joe King Oliver who became his father figure and mentor. Armstrong soon played for Olivers band in Chicago then left for New York to play for Fletcher Hendersons Orchestra. He also did lots of recordings with other Jazz and Blues artists interchangeable Clarence Williams, Red Onion Jazz, Carrol Dickenson and his wife, Lilian (Harlem Renaissance). Duke Ellington is another musical figure in the Harle m Renaissance.He was a composer and pianist and is considered to have brought jazz into concert halls as well as in churches. His style of music can be described as a combination of blues, jazz and swing constructed in solo instrumental performances. He was in New York City during the presented Harlem Renaissance period in 1923. At this time he was able to channelize a 10-piece band (Harlem Renaissance). Dizzy Gillespie, was a trumpeter who was able to develop Be-bop, with other famous artists like Charlie Parker, Thelonious Monk and Kenny Clarke.Be-bop was considered as the seditious and eccentric style of jazz. Gillespie also incorporated Latin and Cuban elements such as calypso, rhumba and tango with jazz. In addition to his contributions to music, Gillespie was also a supporter of equal rights movement (Harlem Renaissance). Other artists during the Harlem Renaissance include Josephine Baker Bessie Smith, Billie Holiday, and Charlie Parker, among others. Harlem Renaissance was a point in history when African-Americans linked to prove the error in stereotyping in terms of intellect and productivity.The developments in music, particularly in Blues and Jazz are certain products of this movement and have given justice to the movements objective proving that African-Americans can not only be superior but also developers and re-inventors of what was then just cultural and now all cultural, sensational and global.Works CitedCharters S. and Kundstadt L. , Jazz A memoir of the New York Scene, New York Da Capo, 1981. Harlem Renaissance, University of Texas. 2006. 09 fall 2006 <http//asms. k12. ar. us/classes/humanities/amstud/97-98/jazz/YOURPA2. HTM> Harlem Renaissance. Wikipedia, The Free Encyclopedia. 2006.Wikimedia Foundation, Inc. 9 Dec 2006 <http//en. wikipedia. org/w/index. php? title=Harlem_Renaissance&oldid=92692036>. Hutchinson,G. , The Harlem Renaisance in Black and White, New York Belknap Press, 1997 McElrath, J. , The History of Blues Mus ic. About African-American History. 2006. About, Inc. 9 Dec. 2006 < http//afroamhistory. about. com/od/bluesmusic/a/bluesmusic. htm>. Morgan, T. and Barlow, W. , From Cakewalks to Concert Halls An Illustrated History of African American Popular Music, From 1895-1930. Washington DC Elliot and Clark, 1992. Schuller, S. Early Jazz Its Roots and Musical Development, New York Oxford, 1986.